Foundational Description of the Art of Fencing

In his short life, master cutler and Freifechter Joachim Meyer appears to have had quite a successful career as a fencing master, teaching craftsmen and nobility alike while also authoring at least four different fencing treatises (and possibly more). His works became renowned far outside of his own nation and were copied by other authors for over 100 years after his death.These books contain Dr. Rebecca L. R. Garber's entirely new translation of Meyer's longest and most developed...
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In his short life, master cutler and Freifechter Joachim Meyer appears to have had quite a successful career as a fencing master, teaching craftsmen and nobility alike while also authoring at least four different fencing treatises (and possibly more). His works became renowned far outside of his own nation and were copied by other authors for over 100 years after his death.These books contain Dr. Rebecca L. R. Garber's entirely new translation of Meyer's longest and most developed treatise, Foundational Description of the Valiant, Knightly, and Noble Art of Fencing, published in 1570. It teaches complex and sophisticated methods for using all the typical weapons of his day, beginning with the two-handed sword prized by the tradition of Johannes Liechtenauer, then showing how traditional German fencing could be applied to the eastern European dusack and the Mediterranean rapier which had become popular as sidearms, and finally covering the dagger and polearms that were commonly used in the militias of the Imperial Free Cities.This is a two-volume set.In Volume 1, Michael Chidester's transcription of the original 1570 text has been included alongside the translation, and hundreds of footnotes have been added throughout. In addition, Chris VanSlambrouck has provided an exhaustive introduction to Meyer and the world that he inhabited.In Volume 2, the 61 elaborate Figures created by the circle of Tobias Stimmer are printed in two different formats-a set that were lavishly painted in 1574, and a black and white set with the backgrounds removed for clarity-along with indexes of all references to each Figure in the text. The illustrations from the München, Lund, and Rostock manuscripts are also included in an appendix for reference.